First published in 1993 as a 2 or 3 octave number, the arranger has rewritten the work for a 3-5 octave handbell choir. A driving setting of the MIT FREUDEN ZART hymn tune, it features extensive use of mallets and other stopped sounds. Totally compatible with the earlier 2-3 octave edition, it is a stand-out number for a festival or any multi-choir event where different sized sets are involved.
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